2018 San Francisco Pen Show Quick Recap: Pay-It-Forward Table & Pen Dash Mixer

Hello pen friends and folk! Franz here, and I’m writing a quick recap to highlight two great things that happened at the 2018 San Francisco Pen Show this past weekend of August 24 thru 26. That would be the Pay-It-Forward Project Table, and the Pen Dash Mixer hosted by Lisa Vanness.

There were lots of events that happened at the show that I will definitely include in my lengthier annual SF Pen Show Report. But I really wanted to highlight these two before my pen show report comes out in the next couple of weeks.

Before anything else, I would like to thank the  San Francisco Pen Show organizers for allowing the Pay-It-Forward table, as well as the Pen Dash Mixer to happen at the show this year. And also for continuing to have a bigger, and “funner” pen show each year!

 

Pay-It-Forward Project

This was the second year that the Pay-It-Forward (PIF) table made an appearance at the SF Pen Show. Even if we were not able to do a blog post, or even a social media post asking for physical and monetary donations, a LOT of generous people have donated to the table this year. Actually, some friends who weren’t even at the show and some out-of-state messaged me for a shipping address and sent oodles and oodles of pens, ink samples, and other stationery items. To all of you who have donated, you know who you are. A VERY BIG THANK YOU from myself, the Pay-It-Forward Project team, and the San Francisco Pen Show!!!

We are happy to report that we have given out 100 PIF Starter Kits (pen, ink sample, and paper) to beginners. And more than 60 donated pens were given away via the Give a Pen, Take a Pen initiative. It is definitely heartwarming to see smiles of excited newbies when they realize that they can choose a pen for free and learn from our volunteers. Makes it all worth the effort to Pay It Forward.

Now I’d be remiss if I did not mention this. The PIF table was staffed by a number of volunteers this year and I would like to give a shout-out of thanks to all that helped out this year. Thank you Sarah M., Carrie H., Andy D., Pam T., Tommy S., and Jim K.! If I missed anyone else who volunteered, please accept my sincere apologies. And last but not the least, a big thank you Kimberly L. for being my co-host of the PIF table this year. She did a lot of things to help prep for the PIF table at this show! And the PIF photos are by Kimberly as well.

If you want to find out more information, or donate either items or funds, please check out www.stationerypif.com for details. You can also check the schedule for the next pen show a PIF table might appear! Thank you for making this community of ours a fun and caring one!

 

 

Pen Dash Mixer

Last year’s SF Pen Show was the first time Lisa Vanness and company tried to have the Pen Dash and ever since then, they hosted it at different pen shows. This year, we had to make sure that this event continued at The Fun Pen Show. So the Pen Dash happened on Saturday at 5:30pm and it was a great success!

Wait, what is a Pen Dash you may ask! In a nutshell, it’s an effort to create a way for people in the community to interact with each other. But more importantly, to learn from selected table leaders or as I called them, Subject Matter Experts (SMEs). The participants will stay at the table and listen to the SMEs talk about their topic and then after a certain amount of time, the participants then change tables. So it’s kind of Speed Dating except that there is no anxiety and lots of learning.

We had 13 tables separated between 3 rooms and each table had a SME to talk about a certain topic. Topics ranged from vintage and modern pens, pen customization, Japanese urushi pens, paper types, bookbinding, nib styles, creating art pieces, etc. In a span of 10-15 minutes, the SMEs will talk about their topics and answer any questions. After each time frame, the participants switched to another table to learn from another SME. The participants stayed in their respective groups within the room so each person had an equal opportunity to learn from a leader.

At the Pen Dash, we had a little over 100 participants at different ages and different levels of involvement in the stationery community. At the end of the mixer, Lisa took a chair and gave closing remarks in each room and some prizes were given away! Here’s a quick video showing some prize winners!

 

On behalf of Lisa Vanness and myself, Franz Dimson, we would like to thank Ana Reinert, Pam Tien, Claire Rice, and other Pen Posse volunteers for helping to make this Pen Dash a success!

And we are giving a huge shout-out of appreciation to all the table leaders/SMEs who volunteered their time, knowledge, and effort:

Bob Atkins

Tom Baley

Jesi Coles

Steve Curnow

Paul Erano

Dan Hoizner

Susan Ito

Daryl Lim

Teri Morris

Leigh Reyes

Ralph Reyes

Mike Vanness

Ms. A. or @colors_and_beads on Instagram

 

 

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Ink Review: Robert Oster Pacific Ocean Teal: 2018 SF Pen Show Exclusive Signature Ink

 

We are very thankful to have received a bottle of this Pacific Ocean Teal ink from the San Francisco Pen Show group for review. They have commissioned Robert Oster Signature Inks in Australia to create an exclusive ink for the 2018 San Francisco International Pen Show to commemorate their Fifth Anniversary. They wanted a nice teal that shades and Robert Oster delivered!

The Pacific Ocean Teal ink bottles will be on sale at the pen show happening this weekend, Friday August 24 until Sunday August 26. We are told that supplies are limited so act fast! They will be sold near the show’s registration desk in the foyer area of the Pullman SF Bay Hotel in Redwood City, California.

For more information and details of the San Francisco Pen Show, check their website at: www.sfpenshow.com.

Paper: Tomoe River, 52 gsm
Paper: Tomoe River Dot Grid, 68 gsm (Hippo Noto Notebook)

 

Inky Dispositions

Katherine: It’s pretty! 😀 I prefer it in drier nibs (as pictured below) where it’s lighter and shows more shading. In  wet nibs it just looks black. Overall it seems well behaved, and maybe a touch on the wet side. And oddly hard to photograph!

 

Franz: Teal, this color is in the realm of my favorite color which is blue. I say that like nobody knows it. hehe.. Anyway, inks made by Robert Oster are always well-behaved and are a treat to write with. This Pacific Ocean Teal is no exception. I’ve used the ink in different pens and they all wrote well consistently. My writing samples shown below were made via a Pelikan M800 because of the full range of nibs but I actually used a medium nibbed Vanishing Point at work with this ink and it was great as well.

The color of this ink is very close to what you find when you do an internet search for teal and that’s pretty cool. This ink may be at the medium to high in wetness for me but the dry-time isn’t too long. Some folks look for sheen and it’s there but not too much. It does show up in broad nibs or in flex writing if people really want that. But what I really like with this ink? It’s the shading for sure. You can use an extra fine nib up to even a triple broad nib and the shading is there!

Overall, I really love this ink! I don’t have many teal inks because my taste in ink color seems to lean more towards the blue side but this color is a fantastic one. I hope to get a bottle (or two) for myself at the show.

Paper: Tomoe River, 52 gsm (Musubi Diary)
Paper: Leuchtturm 1917 Dotted B5, 80 gsm
Paper: Rhodia Graph No. 16, 80 gsm

 

Pam:  I had my reservations when I heard that the SF anniversary ink would be “teal.”  Not another blue ink!  However, I was pleasantly surprised.  It’s. definitely within the blue family.  It has the warmth and clarity of color that I loved about Iroshizuku Tsuya-kusa.  The color reminds of Pelikan Turquoise.  Albeit, it’s lighter than Turquoise and capable of some shading.  I didn’t detect sheen when I have been using it.

The ink is well behaved in my book, producing lines that are as expected.  It may lean wet, but only by a smidge.  It runs really well through EF and F nibs, which is greatly appreciated.  I don’t see a loss in color or saturation unless I am using in a really dry nib like my architect.

Overall, I would recommend this ink.  It’s a beautiful color, reminiscent of the ocean blue waters surround our Golden Gate.  I can see it being very dynamic for a calligrapher or any that experiment with a dip nib.  The shading would be pretty great with this ink.  Yet, it’s still readable, pleasing to the eye and can be used on a regular basis for your flair of “blue” in the office.

 

Ink Circles and Comparisons

Paper: Rhodia Graph No. 16, 80 gsm
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